Sony Pictures Elevates Maia Eyre to Executive Vice President of Creative Development at Columbia Pictures

CULVER CITY, Calif. — In a significant leadership move that underscores a proven track record of box-office successes and high-profile talent cultivation, Sony Pictures has promoted Maia Eyre to the position of Executive Vice President (EVP) of Creative Development at Columbia Pictures.

Eyre, who previously served as Senior Vice President (SVP) of Creative Development for the studio, will continue to operate out of Sony’s historic Culver City lot. In her elevated role, she will continue reporting directly to Peter Kang, President of Production at Columbia Pictures, overseeing a diverse and expanding slate of high-priority feature films ranging from contemporary romantic comedies to bold literary adaptations and reinventions of classic folklore.

The promotion is widely viewed within the industry as a well-earned reward for an executive who has consistently identified commercial material, championed bankable emerging talent, and successfully forged strategic creative partnerships that have yielded substantial returns for the studio.


Main Facts

  • The Promotion: Maia Eyre has been elevated from Senior Vice President to Executive Vice President of Creative Development at Columbia Pictures, a core division of Sony Pictures.
  • Reporting Structure: Eyre will continue to report directly to Peter Kang, Columbia Pictures’ President of Production, on the studio’s Culver City, California headquarters lot.
  • Key Creative Partnerships: Eyre is credited with bringing breakout star Sydney Sweeney and her production banner, Honey Trap, into the Sony fold for a dedicated producing pact.
  • Major Box-Office Track Record: Eyre’s development portfolio includes the global breakout romantic comedy Anyone but You ($214 million worldwide) and the Jack Black and Paul Rudd-led comedy Anaconda ($135 million worldwide).
  • Upcoming Slate: Eyre is currently shepherding several high-profile projects, including Hollow (a Sleepy Hollow retelling starring Sydney Sweeney and Belmont Cameli) and the film adaptation of Lynn Painter’s bestselling YA novel Fake Skating, which stars Amélie Hoeferle and Graham Campbell and is produced by Will Gluck’s Olive Bridge.

Chronology of an Ascending Career

Eyre’s journey to the executive suites of Culver City is a classic narrative of grit, academic dedication, and grassroots studio progression. Originally hailing from Canada, Eyre made the pivotal move to Los Angeles in 2013 to immerse herself in the entertainment industry, enrolling in the prestigious MFA Producer’s Program at the University of California, Los Angeles (UCLA).

Her entry into the studio system began at the ground level through an internship at TriStar Pictures, a boutique label under the Sony Pictures umbrella. Demonstrating a sharp eye for material and an innate understanding of commercial filmmaking logistics, Eyre transitioned from her internship into full-time creative development roles within the company.

Over the subsequent decade, she steadily climbed the corporate ladder, navigating structural shifts within the studio and earning a reputation as a trusted collaborator for both veteran filmmakers and rising stars. As an SVP, she proved her mettle by identifying under-the-radar pitches, shaping them into marketable screenplays, and successfully guiding them through physical production and theatrical release. Her trajectory from intern to Executive Vice President serves as an inspiring blueprint for aspiring studio executives navigating the contemporary Hollywood landscape.


Supporting Data and Portfolio Highlights

Eyre’s promotion is anchored by a formidable roster of commercial successes and strategically positioned future releases. Her executive portfolio reflects a rare versatility, balancing broad comedy, modern rom-coms, genre-bending horror-fantasy, and youth-oriented literary adaptations.

The Sydney Sweeney Partnership

One of Eyre’s most consequential contributions to Sony Pictures in recent years has been her cultivation of a tight-knit creative relationship with actress and producer Sydney Sweeney. Eyre was the internal studio champion who brought Sweeney’s global smash-hit romantic comedy Anyone but You—co-starring Glen Powell—into development. The film defied box-office skeptics by legs-racing its way to an impressive $214 million worldwide gross, proving the enduring viability of the theatrical romantic comedy when paired with charismatic, movie-star casting.

Building on that momentum, Eyre successfully locked down a broader producing pact with Sweeney and her production company, Honey Trap, announced in June. Eyre is currently spearheading the creative development of Hollow, an atmospheric and ambitious retelling of Washington Irving’s classic Sleepy Hollow legend. That project has already secured star power, with both Sydney Sweeney and Belmont Cameli attached to headline.

Young Adult Adaptations and Comedic Hits

Eyre’s slate extends well beyond romantic comedies and gothic folklore. She is currently overseeing the silver-screen adaptation of Fake Skating, the bestselling young adult novel by acclaimed author Lynn Painter. This project marks the first time one of Painter’s beloved literary works has made the jump to the screen. The adaptation recently captured industry attention with the casting announcements of rising talents Amélie Hoeferle and Graham Campbell in the lead roles. The film, produced by Will Gluck’s Olive Bridge banner, is slated for a high-profile release next summer.

Sony's Columbia Pictures Promotes Maia Eyre to EVP Creative Development

Furthermore, Eyre’s commercial acumen was instrumental in steering the Jack Black and Paul Rudd-fronted comedy Anaconda, which successfully mined nostalgic IP to pull in $135 million at the worldwide box office last year. This blend of IP reinvention and fresh, millennial-skewing romantic fare has established Eyre as one of the studio’s most reliable hit-makers.


Official Responses and Industry Reception

While formal corporate press releases regarding executive promotions often rely on standardized industry hyperbole, the internal enthusiasm at Sony Pictures for Eyre’s advancement is palpable. Colleagues and peers have frequently lauded her collaborative spirit, calm demeanor under pressure, and ability to bridge the gap between artistic integrity and commercial viability.

Peter Kang, under whom Eyre has directly served, has long championed executives who take calculated creative risks and nurture deep relationships with top-tier talent. By securing a long-term executive of Eyre’s caliber in an EVP role, Sony Pictures is signaling stability and a clear creative direction for Columbia Pictures as the studio looks toward its 2026 and 2027 theatrical slates.

Independent producers and talent representatives who have worked alongside Eyre have similarly praised her hands-on approach to script development. Rather than acting as a distant corporate gatekeeper, Eyre has earned a reputation for rolling up her sleeves in the writers’ room, helping creators unpack story bottlenecks, and aligning external creative visions with the strict financial and demographic parameters of a major studio.


Implications for Sony Pictures and the Industry

Eyre’s elevation to EVP of Creative Development carries several significant implications for Columbia Pictures and the broader Hollywood ecosystem:

1. Doubling Down on Movie-Star Driven IP

With the success of Anyone but You and the aggressive cultivation of the Sydney Sweeney/Honey Trap partnership, Sony is doubling down on a strategy that marries traditional movie-star charisma with targeted demographic appeal. Eyre’s promotion signals that Columbia will continue to aggressively back young, highly recognizable talent who can drive global social media engagement and convert online followings into ticket sales.

2. Diversification of the Studio Slate

Eyre’s portfolio—spanning the broad comedy of Anaconda, the gothic reimagining of Hollow, and the YA romance of Fake Skating—demonstrates a vital studio requirement: versatility. As major studios navigate an increasingly fragmented exhibition landscape, having development executives who can successfully navigate multiple genres without relying solely on traditional superhero or comic book IP is a distinct competitive advantage.

3. Fostering Emerging Literary and Acting Talent

By bringing Lynn Painter’s work to the screen and casting fresh faces like Amélie Hoeferle and Graham Campbell, Eyre is actively participating in the cultivation of the next generation of Hollywood stars and literary franchises. This pipeline-building is essential for a major studio looking to secure proprietary intellectual property for the next decade.

As Maia Eyre steps into her new capacity as Executive Vice President, all eyes will be on Culver City to see how her expanded leadership shapes Columbia Pictures’ upcoming theatrical slate, solidifying her status as one of the most influential creative minds in modern Hollywood development.