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Independent Cinema

The Dawn of the Indie TV Era: ATX TV Festival Crowns ‘Savage’ as Inaugural Pilot Showcase Winner

June 29, 2025

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Unshackling History: How Ken Russell and Derek Jarman’s ‘The Devils’ Shattered the Myth of the Drab Pre-Modern World

No Strings Attached: How VisionQuest Episode 4 Resurrected the MCU’s Most Terrifying Villain with a Chilling Twist

Raising the Dead: Mike Flanagan’s The Exorcist: Martyrs and the High-Stakes Reinvention of a Horror Titan

The Moral Ambiguity of Vengeance: Frank Grillo Defends Rick Flag Sr.’s Ruthless Path in the New DCU

Channeling Sunnydale at Home: How Alyson Hannigan Keeps the Buffy the Vampire Slayer Spirit Alive 23 Years Later

Oldest

The Anatomy of a Tragedy: Why Netflix’s ‘The Crash’ Has Captivated and Horrified Audiences
Owning the Narrative: Disney’s Naomi Bulochnikov-Paul Honored with Medal of Hope at Annual Race to Erase MS Gala
The Sinking Ship and the Rising Star: How John C. Reilly Tried to Steer Leonardo DiCaprio Away from ‘Titanic’
The Tempest at CBS News: Inside the Firing of Scott Pelley, the ‘60 Minutes’ Mutiny, and the Battle for a Legacy Broadcaster
The Defiant Evolution of Erika Alexander: How the "Living Single" Icon Claimed the Maverick Award at IndieWire Honors

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The Forgotten Library: Reclaiming the Lost Gems of Netflix’s Original Cinema

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Belzebubs Unleashed: JP Ahonen’s Cult Black-Metal Comic Makes the Epic Leap to Adult Animation

The Heart of Horror: Why Mike Flanagan Believes Humanism is the Key to Stephen King Adaptations

High Stakes, Low Yield: Why Brad Furman’s ‘Runner Runner’ Fails to Cash In

The Silicon Frankenstein: Luca Guadagnino’s Artificial Decodes the Chaos of the AI Era

From Tax Write-Off to Box-Office Rebel: How ‘Coyote vs. Acme’ Defied the Odds to Cross $100 Million

Beyond the X-Men: Why Hollywood Should Revisit Theodore Sturgeon’s "More Than Human"

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