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Cinema Rascals

Cinema Rascals

  • Film Reviews

The Shadow of 1974: Hur Jin-ho’s The Assassin(s) Reimagines a National Trauma

September 21, 2026
  • Cinema News and Updates

The Invisible Cliff: How Tribeca Drama ‘The Last Day’ Reimagines Virginia Woolf to Confront the Silent Crisis of Postpartum Mental Health

August 23, 2025
  • Sci-Fi and Fantasy

Pixar Reimagines the Marvel Universe: A Comprehensive Guide to the 40th Anniversary Variant Covers

August 6, 2025
Latest

Demolishing the Past: An In-Depth Look at Deconstructeam’s Provocative New Title, Virtue and a Sledgehammer

The Audacity of the Absurd: A Deep Dive into Giselle Bonilla’s ‘The Musical’ (2026)

The Breaking of the Bat Enters Its Next Phase: Warner Bros. Unveils Batman: Knightfall Part 2 – Knightquest Trailer

NewFest Announces 38th Annual LGBTQ+ Film Festival Lineup: 144 Projects Across 23 Countries

Subverting the Stage: Julianne Moore and Paul Giamatti Shine in Jesse Eisenberg’s Hilarious Musical Comedy The Debut

Oldest
  • The Anatomy of a Tragedy: Why Netflix’s ‘The Crash’ Has Captivated and Horrified Audiences
  • Owning the Narrative: Disney’s Naomi Bulochnikov-Paul Honored with Medal of Hope at Annual Race to Erase MS Gala
  • The Sinking Ship and the Rising Star: How John C. Reilly Tried to Steer Leonardo DiCaprio Away from ‘Titanic’
  • The Tempest at CBS News: Inside the Firing of Scott Pelley, the ‘60 Minutes’ Mutiny, and the Battle for a Legacy Broadcaster
  • The Defiant Evolution of Erika Alexander: How the "Living Single" Icon Claimed the Maverick Award at IndieWire Honors

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A Master’s Spotlight: James Gray to Receive Top Honor at 39th Virginia Film Festival

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John Oliver Targets Healthcare System and Takes Aim at Incoming Paramount Chief David Ellison in Last Week Tonight Deep Dive

The Beautiful Game’s Grimy Underbelly: "Mexico 86" Unpacks the Alleged Backroom Deals Behind a Historic World Cup Bid

The Golden Age of Animation: The 10 Best Anime Series of 2026 (So Far)

The Intellectual Pulse of Global Cinema: A Comprehensive Overview of Cinema Scope Issue 97

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