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Cinema Rascals

Cinema Rascals

  • Film Festivals

Digital Chaos and Denim Dreams: SGIFF Returns to Tradition with a Bold Closing Act

October 10, 2026
  • Acting and Performance

Shockwaves at the 69th Grammy Awards: Bill Withers Estate Files Copyright Lawsuit Targeting Olivia Dean’s Closing Track "I’ve Seen It"

October 6, 2026
  • Film Awards and Recognition

The Perpetual Return: Why Michael Patrick King and Lisa Kudrow Are Finally Closing the Curtain on ‘The Comeback’

July 6, 2025
Latest

An End of an Era on the Bridge: George Takei Leads Tributes Following the Passing of Star Trek Icon Walter Koenig at 90

Sinking Its Teeth Into 4K: Director Neil Jordan Reflects on 32 Years of ‘Interview with the Vampire’

The Divine Comedy of Carnage: Why ‘VelociPastor 2’ is the Cult Phenomenon We Didn’t Know We Needed

Cinematic Legacy and Digital Accessibility: Navigating Where to Stream the Psychological Thriller Masterpiece What Ever Happened to Baby Jane?

Japan’s Cinematic Crossroads: Industry Leaders Demand Reform to Unlock Global Potential

Oldest
  • The Anatomy of a Tragedy: Why Netflix’s ‘The Crash’ Has Captivated and Horrified Audiences
  • Owning the Narrative: Disney’s Naomi Bulochnikov-Paul Honored with Medal of Hope at Annual Race to Erase MS Gala
  • The Sinking Ship and the Rising Star: How John C. Reilly Tried to Steer Leonardo DiCaprio Away from ‘Titanic’
  • The Tempest at CBS News: Inside the Firing of Scott Pelley, the ‘60 Minutes’ Mutiny, and the Battle for a Legacy Broadcaster
  • The Defiant Evolution of Erika Alexander: How the "Living Single" Icon Claimed the Maverick Award at IndieWire Honors

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Random Pick

Architects of the Blockbuster: Nina Jacobson and Brad Simpson to Headline IndieWire’s Future of Filmmaking Summit

Blurring the Lines of Reality: Inside the Visual Alchemy of Lance Oppenheim’s A24 Film ‘Primetime’

The Recursive Reality of Nathan Fielder and Lance Oppenheim: How ‘You Can See Everything’ Elevates the Architecture of Deception

High Stakes, Low Yield: Why Brad Furman’s ‘Runner Runner’ Fails to Cash In

The Resurrection of a Masterpiece: Ken Russell’s ‘The Devils’ Breaks Box Office Expectations

The Sonic Velocity of an Icon: Ben Lukas Boysen’s Score for Schumacher ’94 – The Birth of a Legend

The U.K. and Ireland Box Office Report: Colleen Hoover’s ‘Verity’ Dominates a Crowded Marketplace

Navigating the Underworld: Inside MobLand Season 2’s Midpoint, Release Schedules, and Character Dynamics

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