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Cinema Rascals

Cinema Rascals

  • Film Technology and Gear

Samyang Teases Groundbreaking AF 28-135mm F2.8 FE Lens for Sony E-Mount: A New Era for All-in-One Zooms?

October 1, 2026
Latest

Viltrox Redefines Portability: The New Air Series L-Mount Prime Lens Lineup

Apple Unleashes Final Cut Camera 2.4 and Final Cut Pro 12.4: A New Era for Mobile Cinematography and Post-Production

Mavis Camera 8.2 Push iPhone Filmmaking Boundaries with Variable Aperture, ProRes RAW to SSD, and Pro HDMI Outputs

The Art of the Impossible: Revisiting the Visual Effects of Avengers: Endgame in befores & afters Issue #66

The Mini-LED Revolution: How Pocket-Sized Lighting Transformed Modern Filmmaking

Oldest
  • The Anatomy of a Tragedy: Why Netflix’s ‘The Crash’ Has Captivated and Horrified Audiences
  • Owning the Narrative: Disney’s Naomi Bulochnikov-Paul Honored with Medal of Hope at Annual Race to Erase MS Gala
  • The Sinking Ship and the Rising Star: How John C. Reilly Tried to Steer Leonardo DiCaprio Away from ‘Titanic’
  • The Tempest at CBS News: Inside the Firing of Scott Pelley, the ‘60 Minutes’ Mutiny, and the Battle for a Legacy Broadcaster
  • The Defiant Evolution of Erika Alexander: How the "Living Single" Icon Claimed the Maverick Award at IndieWire Honors

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