Animation and VFX The Resurrection of Shadow: Inside Star Wars: Maul — Shadow Lord, Lucasfilm’s Grittiest Animated Venture Yet October 2, 2026
Animation and VFX The Art of the Impossible: Revisiting the Visual Effects of Avengers: Endgame in befores & afters Issue #66 October 1, 2026
Animation and VFX Blending Reality and the Digital Abyss: How A24’s Backrooms Brought a Viral Phenomenon to the Big Screen October 1, 2026
Animation and VFX The Temple of the People’s Art: Inside the Long-Awaited Launch of the Lucas Museum of Narrative Art October 1, 2026
Animation and VFX A New Frontier: Apple Studios VFX Workers Secure Historic First Union Contract October 1, 2026
Animation and VFX Reimagining the Rebellion: Andy Serkis on Bringing a Fresh, Animated Vision to George Orwell’s Animal Farm October 1, 2026
Animation and VFX Breaking the Perfectionism Paralysis: Why Industry Mentorship is the New Gold Standard in Creative Education October 1, 2026
Animation and VFX Manchester Animation Festival 2026: A Global Convergence of Artistry, Innovation, and Legacy October 1, 2026
Animation and VFX The Tactile Revolution of ‘I Love Boosters’: How Boots Riley Blends Stop-Motion, Miniatures, and Marxism October 1, 2026
Animation and VFX Titans Alum Curran Walters Responds to Jason Todd Recasting as DC Studios Prepares for ‘Dynamic Duo’ October 1, 2026
