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Film History

The Cinematic Masterpiece and Dangerous Illusion: Re-Evaluating Orson Welles’ The Lady from Shanghai (1948)

October 9, 2026

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Down, But Not Out: Why Warner Bros. and Digger Still Have a Fighting Chance at the 2027 Oscars Despite a Brutal Opening Weekend

Visionary British Director and Cinematographer Nicolas Roeg Passes Away at 90

The Sun Sets on a Daytime Giant: Kelly Clarkson’s Emmy Prospects and the End of an Era

Olivia Rodrigo’s Grammy Ascent: How You Seem Pretty Sad for a Girl So in Love Positions the Pop Icon for a Historic Night

Anne Hathaway Defends Tom Cruise’s Box-Office Flop ‘Digger’ Amid a $250 Million Disaster for Warner Bros.

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The Anatomy of a Tragedy: Why Netflix’s ‘The Crash’ Has Captivated and Horrified Audiences
Owning the Narrative: Disney’s Naomi Bulochnikov-Paul Honored with Medal of Hope at Annual Race to Erase MS Gala
The Sinking Ship and the Rising Star: How John C. Reilly Tried to Steer Leonardo DiCaprio Away from ‘Titanic’
The Tempest at CBS News: Inside the Firing of Scott Pelley, the ‘60 Minutes’ Mutiny, and the Battle for a Legacy Broadcaster
The Defiant Evolution of Erika Alexander: How the "Living Single" Icon Claimed the Maverick Award at IndieWire Honors

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