Film Technology and Gear Mavis Camera 8.2 Push iPhone Filmmaking Boundaries with Variable Aperture, ProRes RAW to SSD, and Pro HDMI Outputs October 1, 2026
Animation and VFX The Art of the Impossible: Revisiting the Visual Effects of Avengers: Endgame in befores & afters Issue #66 October 1, 2026
Film Technology and Gear The Mini-LED Revolution: How Pocket-Sized Lighting Transformed Modern Filmmaking October 1, 2026
Film Technology and Gear Mastering Audio in Adobe After Effects: A Comprehensive Workflow Guide for Motion Designers October 1, 2026
Film Technology and Gear Samyang Teases Groundbreaking AF 28-135mm F2.8 FE Lens for Sony E-Mount: A New Era for All-in-One Zooms? October 1, 2026
Film Technology and Gear Mastering Remote Production: Teradek and RaceOn Reveal the Blueprint for Unfailing Live Broadcasts from the Field October 1, 2026
Film Technology and Gear The New Frontier: NASA and SpaceX Prepare for Record-Breaking Crew-13 Mission October 1, 2026
Animation and VFX Blending Reality and the Digital Abyss: How A24’s Backrooms Brought a Viral Phenomenon to the Big Screen October 1, 2026
Animation and VFX The Temple of the People’s Art: Inside the Long-Awaited Launch of the Lucas Museum of Narrative Art October 1, 2026
Animation and VFX A New Frontier: Apple Studios VFX Workers Secure Historic First Union Contract October 1, 2026
